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"Numbers have plummeted due to a myriad of different factors including over-abstraction, habitat degradation, pollution, impacts on redds, in-stream barriers, climate change, and pressures associated within the marine environment."
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There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
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At its core, a stream is just a sequence of data that arrives over time. You don't have all of it at once. You process it incrementally as it becomes available.